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A 9-track song-cycle that confirms the London musician and visual artist as a unique creative force, pushing the art of song into expansive new territories.\u003c\/p\u003e\n\u003cp\u003eOn\u0026amp;On - which follows 2018’s Minus, Blumberg’s debut for Mute - is a consolidation of the deconstructed song aesthetic he has developed, operating at the intersection between conventional song structures and free improvisation. Now he takes this further, incorporating recurring, shape-shifting motifs and at times dissolving the boundaries between songs altogether.\u003c\/p\u003e\n\u003cp\u003eBorn out of live sessions with the same core group of players as Minus: Daniel Blumberg (vocals, guitar, harmonica), Ute Kanngiesser (cello), Billy Steiger (violin), Tom Wheatley (double bass) and Jim White (drums), with the addition of electronic maverick Elvin Brandhi (vocals). 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Initially inspired by Einstürzende Neubauten, Throbbing Gristle and other post-punk\/ industrial groups, Tiersen’s music would soon grow further nuanced, moving in more subtle directions. It’s this which makes the approach to his Lagniappe Session all the more interesting, in how he turns that very direction on its head. Original pieces that could be described as minimalist are uprooted and placed into entirely different realms, as Tiersen tackles a 16+ minute Steve Reich piece, a classic Françoise Hardy chanson, and a tune by country gospel musician E.C. Ball. 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Recorded in Australia with avant-garde jazz drummer Laurence Pike and multi-instrumentalist Cameron Deyell, mixing their raw, organic live instrumentation with Angus’s solo tinkering at the computer, resulting in an album that blurs boundaries between the archetypal band structure and experimental electronics. The album feels distinctly and recognisably Liars, yet also fresh and singular. Rich textures overlap with engulfing ambience, before giving way to eruptive blasts of noise, crackling electronics and thrashing drums. Includes the single ’Sekwar’. 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